It takes the average reader 4 hours and 42 minutes to read Light and Movement in Watercolour by Jake Winkle
Assuming a reading speed of 250 words per minute. Learn more
Jake Winkle's loose, fresh and spontaneous style of painting is very popular. His paintings are full of light and movement and a key feature of his technique is that he doesn't work in the traditional way of light to dark but by placing the darks first. In Light and Movement in Watercolour, his first book, he demonstrates how to paint watercolours in a loose, direct way by step-by-step demonstrations and practical projects. Watercolours are often spoiled by a desire to be entirely truthful to the subject matter, which can lead to a painting that is overworked and tight. Jake's loose approach avoids those problems. He looks at subject simplification and shows how to focus on shapes rather than objects and, by painting what you see and not what you know, demonstrates how to capture the essence of the scene with freshness and clarity. The main topics in this book are: Understanding Watercolour; Building Confidence; What to Paint; Shapes, Tones and Colours; Dark to Light and Freshness and Clarity. Jake considers each topic in detail and shows the reader how to create paintings that glow with life, interest and spontaneity.
Light and Movement in Watercolour by Jake Winkle is 281 pages long, and a total of 70,531 words.
This makes it 95% the length of the average book. It also has 86% more words than the average book.
The average oral reading speed is 183 words per minute. This means it takes 6 hours and 25 minutes to read Light and Movement in Watercolour aloud.
Light and Movement in Watercolour is suitable for students ages 12 and up.
Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.
When deciding what to show young students always use your best judgement and consult a professional.
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