It takes the average reader 10 hours and 33 minutes to read Sound and Sense in Franco-Flemish Music of the Renaissance by P. URQUHART
Assuming a reading speed of 250 words per minute. Learn more
Accidentals in Renaissance music have long been a problem for performers and editors, for they are often not fully prescribed in Franco-Flemish music. In the 20th century, a set of âe~rules of musica fictaâe(tm) were assembled to describe performersâe(tm) practice in the 15th and 16th centuries, but the three primary rules contradict each other when applied to the repertory. The conflict forces one or more rules to be set aside in certain passages. Typically, modern editors sacrifice the linear rule in favor of harmonic aspects. The modern preference relies on a medieval conceptâe"the exclusion of mi contra faâe"which the author challenges. When the prohibition against mi contra fa is removed from singers' concerns, and understood as a rule aimed at composersâe"one they took delight in breaking at timesâe"a proper balance between the three rules is regained, and an incisive and expanded harmonic world is revealed.
Sound and Sense in Franco-Flemish Music of the Renaissance by P. URQUHART is 624 pages long, and a total of 158,496 words.
This makes it 211% the length of the average book. It also has 194% more words than the average book.
The average oral reading speed is 183 words per minute. This means it takes 14 hours and 26 minutes to read Sound and Sense in Franco-Flemish Music of the Renaissance aloud.
Sound and Sense in Franco-Flemish Music of the Renaissance is suitable for students ages 12 and up.
Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.
When deciding what to show young students always use your best judgement and consult a professional.
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