It takes the average reader 3 hours and 47 minutes to read Cajun Carnival by Jennifer Cleland
Assuming a reading speed of 250 words per minute. Learn more
Questions of purity and authenticity haunt the broader discipline of cultural studies. The subjects of cultural studies in general are inevitably products of the interaction between their inherited ethnic traditions and the modern culture. Popular culture, in contrast, consists of traditions that develop from the bottom up in a society; this work concerns issues of the representation of popular culture by the official culture, and the social tensions that are revealed through popular festive forms. Cajuns gathered in southwestern Louisiana in the mid-eighteenth century after the British deported them from their settlements in what is now New Brunswick, Canada. Their history, whether in Canada or in Louisiana, is shaped by their American experience, their encounter with the wilderness around them and its diverse population. The wonderful blend that is Cajun culture, and its by-products, music and cuisine, are now mainstays of American cultural tourism, marketed far away from Louisiana. Yet the image they market is itself an American myth of their own making. Cajun culture originated in early modern France, and their Mardi Gras celebration is similar to the youth group queting of that time. Festive customs metamorphosed as the population moved from rural villages to urban centers, leading to a loss of individual autonomy in general, but especially for women, whose legal and property rights were abrogated during this period. As society became more hierarchized, gender and class role-reversals became more prevalent themes of festive behavior. The popular justice that was an important function of youth groups in the villages provided a model for the reassertion of traditional rights and privileges that accompanied the expanding power of the central government in France. Francois Rabelais used carnival and festive imagery to question the society of his day in a literary manifestation of carnival excess and role-play. Critics have seen him as misogynist, but a topsy-turvy reading, truer to his carnivalesque spirit, reveals his interrogation of the official meanings of his day, and thus invites multiple interpretations of his narratives.
Cajun Carnival by Jennifer Cleland is 224 pages long, and a total of 56,896 words.
This makes it 76% the length of the average book. It also has 70% more words than the average book.
The average oral reading speed is 183 words per minute. This means it takes 5 hours and 10 minutes to read Cajun Carnival aloud.
Cajun Carnival is suitable for students ages 12 and up.
Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.
When deciding what to show young students always use your best judgement and consult a professional.
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