It takes the average reader 2 hours and 19 minutes to read Ernesto Nazareth Guitar Solo Anthology by FLAVIO HENRIQUE MEDEIROS
Assuming a reading speed of 250 words per minute. Learn more
A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo.One of the major difficulties in trying to arrange Ernesto Nazareth's themes for any instrument, but the piano, is to separate the melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregarding the other. If one did that, the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book.In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more modest guitar, we always kept in mind our principal intention: to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth's compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point, of course). Some phrases or fragments had also to be written an octave higher or lower (that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth's work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth's greatest hits (Apanhei-te Cavaquinho, Odeon, Brejeiro, Ameno Resedá, etc.) as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – especially – rhythmic versatility. Each of them has its own and unmistakable personality.The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros (i.e., Brazilian tangos), but there are also some polcas and some of his most expressive valsas, like Confidências and Coração que Sente.
Ernesto Nazareth Guitar Solo Anthology by FLAVIO HENRIQUE MEDEIROS is 136 pages long, and a total of 34,816 words.
This makes it 46% the length of the average book. It also has 43% more words than the average book.
The average oral reading speed is 183 words per minute. This means it takes 3 hours and 10 minutes to read Ernesto Nazareth Guitar Solo Anthology aloud.
Ernesto Nazareth Guitar Solo Anthology is suitable for students ages 10 and up.
Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.
When deciding what to show young students always use your best judgement and consult a professional.
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