How Long to Read Far from Home and Other Short Stories about Death and Loss (Large Print)

How Long Does it Take to Read Far from Home and Other Short Stories about Death and Loss (Large Print)?

It takes the average reader 1 hour and 48 minutes to read Far from Home and Other Short Stories about Death and Loss (Large Print) by William Walz

Assuming a reading speed of 250 words per minute. Learn more

Description

We all experience death and loss. We lose those we love. We cry, we sob, we mourn, and then we carry-on. Forever, long after the gaping wounds have scarred over, we bear the marks of the grim reaper's sickle deep within our souls. These stories give eloquent witness to that most private of pains. For many of us, particularly those still indulging in the delightful delusions of youth, the faint awareness of our own mortality is dwarfed by the silent terror of death's unceasing advance toward those we love. Despite its strongest opponents-denial, technology, and the sheer will to live-death continues to stalk us. Like some stealthy predator on the edge of our herd, it seeks out the weak, the lonely, the vulnerable. Even when the humid vapors of death seem most remote in our own lives, their warm moist presence haunts those we love, dampening the potential joy in every tomorrow. We hate death, yet it creeps toward us. It encroaches on us and on those we love, as sure and silent as the darkness of night. This volume explores-neither fully embracing nor coyly evading-the mysterious forces that pull us toward finitude, toward life's inevitable demise. If you've confronted the glint of the grim reaper's eye or if you mourn for those who have paid the last full wages of mortal existence, this volume aches with you. These stories were written for you.William Walz's "Far From Home" narrates a deeply moving journey toward death, an elderly man's final return to the home of his youth. It contains, I do believe, some of the most stirring prose that has ever passed before human eyes. Michael Bitanga's "Last Call" records a conversation with the voice of death itself, the lead character bravely offering the inquiries that most of us ponder-but fear to vocalize. In "Shadow in Peripheral Vision," F I Shehadi boldly investigates that glimpse of something that we almost see from time to time. This presence, an image only vaguely caught in the corner of one eye, is our own death. Nothing is more senseless than war's orgy of death. Karen Scott's "Prayer for the Dying" mourns the meaningless losses and bloody gore of war in Scotland's kilt-clad past. Tom Stiner weeps with those who can neither accept nor deny the sudden loss of one so-loved. "If I'm Not Here When You Get Back, Call Me" opens with a note of throbbing pain, then crescendos with peaceful release. Few writings on death portray the utter emptiness of death more directly than does Mason Shoen's "Olive Grove." Death leaves physical holes in the souls of those who mourn the pointless absence of life in Shoen's gripping account. Losing anyone is difficult, losing a parent is overwhelming. Memories-undimmed by the passage of time-provide pungency to the mourning in Scott Evans's tale of becoming an adult orphan. The mere thought of a lost spouse-a nightmare reaching into her nocturnal unconsciousness-is enough to haunt Melba Pena-Davis's literary self in "Haunting Memories." Even when her frightened awakening removes the nightmare from Pena-Davis's lead character, she is left with the sure and certain knowledge that she has been granted only a temporary reprieve from death's terrors. Even though a decade has passed since we experienced the collective trauma of 9-11, that event-its needless horrors, its noble sacrifices, and its cruel murders-still lingers in our personal and social psyche. Joshua Lane's "The Day the World Tuned In" gives us yet one more opportunity to grieve over the corporate losses we experienced on that day of national despair. Finally, J P Behrens helps us to explore the pained and confused mind of a troubled high school valedictorian. In "The Final Statement," Behrens allows a tortured teenage mind to speak his final piece about school-bullying, parental disregard, and social isolation.

How long is Far from Home and Other Short Stories about Death and Loss (Large Print)?

Far from Home and Other Short Stories about Death and Loss (Large Print) by William Walz is 106 pages long, and a total of 27,136 words.

This makes it 36% the length of the average book. It also has 33% more words than the average book.

How Long Does it Take to Read Far from Home and Other Short Stories about Death and Loss (Large Print) Aloud?

The average oral reading speed is 183 words per minute. This means it takes 2 hours and 28 minutes to read Far from Home and Other Short Stories about Death and Loss (Large Print) aloud.

What Reading Level is Far from Home and Other Short Stories about Death and Loss (Large Print)?

Far from Home and Other Short Stories about Death and Loss (Large Print) is suitable for students ages 10 and up.

Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.

When deciding what to show young students always use your best judgement and consult a professional.

Where Can I Buy Far from Home and Other Short Stories about Death and Loss (Large Print)?

Far from Home and Other Short Stories about Death and Loss (Large Print) by William Walz is sold by several retailers and bookshops. However, Read Time works with Amazon to provide an easier way to purchase books.

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