How Long to Read Installation Art and the Practices of Archivalism

By David Houston Jones

How Long Does it Take to Read Installation Art and the Practices of Archivalism?

It takes the average reader 3 hours and 30 minutes to read Installation Art and the Practices of Archivalism by David Houston Jones

Assuming a reading speed of 250 words per minute. Learn more

Description

On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Mirosław Bałka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for ‘archival’ media such as analogue photographs and film. He analyses the...

How long is Installation Art and the Practices of Archivalism?

Installation Art and the Practices of Archivalism by David Houston Jones is 210 pages long, and a total of 52,500 words.

This makes it 71% the length of the average book. It also has 64% more words than the average book.

How Long Does it Take to Read Installation Art and the Practices of Archivalism Aloud?

The average oral reading speed is 183 words per minute. This means it takes 4 hours and 46 minutes to read Installation Art and the Practices of Archivalism aloud.

What Reading Level is Installation Art and the Practices of Archivalism?

Installation Art and the Practices of Archivalism is suitable for students ages 12 and up.

Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.

When deciding what to show young students always use your best judgement and consult a professional.

Where Can I Buy Installation Art and the Practices of Archivalism?

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