How Long to Read Musical Symbolism in the Operas of Debussy and Bartok

By Elliot Antokoletz

How Long Does it Take to Read Musical Symbolism in the Operas of Debussy and Bartok?

It takes the average reader 6 hours to read Musical Symbolism in the Operas of Debussy and Bartok by Elliot Antokoletz

Assuming a reading speed of 250 words per minute. Learn more

Description

Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist...

How long is Musical Symbolism in the Operas of Debussy and Bartok?

Musical Symbolism in the Operas of Debussy and Bartok by Elliot Antokoletz is 360 pages long, and a total of 90,000 words.

This makes it 121% the length of the average book. It also has 110% more words than the average book.

How Long Does it Take to Read Musical Symbolism in the Operas of Debussy and Bartok Aloud?

The average oral reading speed is 183 words per minute. This means it takes 8 hours and 11 minutes to read Musical Symbolism in the Operas of Debussy and Bartok aloud.

What Reading Level is Musical Symbolism in the Operas of Debussy and Bartok?

Musical Symbolism in the Operas of Debussy and Bartok is suitable for students ages 12 and up.

Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.

When deciding what to show young students always use your best judgement and consult a professional.

Where Can I Buy Musical Symbolism in the Operas of Debussy and Bartok?

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