How Long to Read Realism in Nineteenth-Century Music

By Carl Dahlhaus

How Long Does it Take to Read Realism in Nineteenth-Century Music?

It takes the average reader 2 hours and 33 minutes to read Realism in Nineteenth-Century Music by Carl Dahlhaus

Assuming a reading speed of 250 words per minute. Learn more

Description

The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.

How long is Realism in Nineteenth-Century Music?

Realism in Nineteenth-Century Music by Carl Dahlhaus is 152 pages long, and a total of 38,304 words.

This makes it 51% the length of the average book. It also has 47% more words than the average book.

How Long Does it Take to Read Realism in Nineteenth-Century Music Aloud?

The average oral reading speed is 183 words per minute. This means it takes 3 hours and 29 minutes to read Realism in Nineteenth-Century Music aloud.

What Reading Level is Realism in Nineteenth-Century Music?

Realism in Nineteenth-Century Music is suitable for students ages 10 and up.

Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.

When deciding what to show young students always use your best judgement and consult a professional.

Where Can I Buy Realism in Nineteenth-Century Music?

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