It takes the average reader 3 hours and 30 minutes to read Treatise on Chromatic Harmony by Tomás Morales y Durán
Assuming a reading speed of 250 words per minute. Learn more
What we call today "Western Music" has been turning over millennia into a gigantic accumulation of intellectual crap seasoned with religious necromancy without anyone stopping to try to put order in this mess. The abuse of so much rancid irrationality has made it a forbidden ground for reason and that it is only accessible through the abuse of memory and repetition; of suffering, in short. From Pythagoras, who wanted to reach twelve notes by combining seven different series of seven notes each, to the monk Guido of Arezzo who had the idea of recording music with ink so that his melodies would not degenerate when going from one monastery to another. He designs the solfeggio with the obsessive idea of avoiding playing the cursed tritone that would invoke Satan, dragging any good Christian into the most terrible hells, an idea that excited the Pope of the time and that ordered his learning. Another monk could not be missing, Miguel García alias "Padre Basilio" who at the end of the 18th century put so many strings on the guitar that he found himself with the problem that he did not have enough fingers to play three notes with six strings using only four fingers, so he dedicated himself to arranging orthopedic postures so that the new instrument would not sound horrendously bad. Most musicians are unaware that we are in the 21st century, that we know how to count to twelve, that we have devices for recording music that are better than India ink, and that we have five fingers on our right hand with which to select which strings to play and not just a deformed stump to tear them. We know that sound is produced in the auditory consciousness. We also know how we hear based on our anatomy and we have done neuroscientific studies with which we have defined harmony based on subjective relative dissonances and even that the most important thing, rhythm, is what music draws. Music differs from noise in its simplicity, and if there is anything a healthy brain hates more than complex sounds.
Treatise on Chromatic Harmony by Tomás Morales y Durán is 206 pages long, and a total of 52,736 words.
This makes it 70% the length of the average book. It also has 64% more words than the average book.
The average oral reading speed is 183 words per minute. This means it takes 4 hours and 48 minutes to read Treatise on Chromatic Harmony aloud.
Treatise on Chromatic Harmony is suitable for students ages 12 and up.
Note that there may be other factors that effect this rating besides length that are not factored in on this page. This may include things like complex language or sensitive topics not suitable for students of certain ages.
When deciding what to show young students always use your best judgement and consult a professional.
Treatise on Chromatic Harmony by Tomás Morales y Durán is sold by several retailers and bookshops. However, Read Time works with Amazon to provide an easier way to purchase books.
To buy Treatise on Chromatic Harmony by Tomás Morales y Durán on Amazon click the button below.
Buy Treatise on Chromatic Harmony on Amazon